DECEIVING THE EYE.
Space master Felice Varini creates geometric images, in public spaces, that defy our visual logic. His team uses a projector and stencils to painstakingly put each distorted component in the correct place. When viewed from a precise position, it all locks together for a spectacular effect. This example was installed on the Grand Palais in Paris. http://www.varini.org
The same squares A and B are identical. It’s all a matter of contrast.
Old favorite We all know this kind of image. Two faces or a white vase?
Motion Strangely transfixing.
Not motion This is a static image. Where’s the Dramamine?
Dinner table Everything appears to be sinking into the dining table with this completely flat placemat. goo.gl/VbQ3oY
Illustrations that bend reality Below, by Robert Gonsalves.
An example of the very popular work of M.C. Escher.
Chalk artists know how to manipulate perspective. By Edgar Mueller.
Classic hedge maze The Longleat Maze in Wiltshire (England) has viewing bridges that give people an overview before they return to the pathways between tall hedges. Photograph by Niki Odolphie.
Definitions A maze has multiple entrances and exits, choices of direction, and dead-ends. A labyrinth has only one way in and one way out.
Garden labyrinth Below, the Edinburgh Labyrinth (Scotland) in George Square Gardens. Photograph by Di Williams.
World’s largest The Guinness Book of Records lists The Maze of Butterfly Lovers in Ningbo, China, as the largest permanent hedge maze, with a total path length of 8.38 km (5.2 miles). It opened in April this year. Designed by Adrian Fisher, it contains the shapes of two butterflies. Adrian has designed hundreds of mazes and puzzles (in various formats) all over the world. Image from Google Maps.
Labyrinth project As a celebration of the 150th anniversary of the London Underground in 2013, Mark Wallinger created a unique enamel labyrinth for every one of the 270 stations. They’re a connection to the system’s history of classic graphic design, and reflect the idea of entering the labyrinth of walkways and tunnels that make up a journey.
Photograph by Jack Gordon.
All of them are photographed here: http://labyrinthtubephoto.tumblr.com
EXAMPLES FROM THREE ERAS.
Vintage The beauty of these decorative book covers stands the test of time. Examples from the 18th and early 19th centuries.
Graphic animation Henning M. Lederer has brought motion to some 1950s, 60s, and 70s graphic covers.
There’s a lot more. 55 examples are shown in this video: https://vimeo.com/141891887
And 36 more here: https://vimeo.com/228577316
Modern Examples from 2016 and 2017. Below, design by Oliver Munday.
Design by Jaya Miceli. Art by Valerie Hegarty.
Design by Will Staehle.
Design by Mark Swan.
THE ULTIMATE TRAFFIC JUNCTION.
I was driving through Swindon, which is between London and Bristol, and I arrived at the “Magic Roundabout,” which has been described as the most complicated traffic intersection in the world. Five roads meet here, and five small circles feed a large central one. The traffic direction is clockwise on the small roundabouts, and counter-clockwise on the large one. The easiest track is just to stay on the outer circle, or you can take a shorter route by heading into the central one. I did that (perhaps unintentionally), and went through with no problem. But then again, I wasn’t in the rush hour. Photo by Dickbauch.
Constructed in 1972, it took on it’s current (popular) name in the 1980s. This mega-roundabout has a good safety record, perhaps because traffic moves so slowly through it. Diagram by Hk ing.
From Google Maps.
This is not the Magic Roundabout, but it shows how this type of road feature works.
Not everyone loves this junction. Some drivers’ surveys have chosen “The Magic Roundabout” as being amongst the worst intersections in the United Kingdom.
It’s named after a long-running 1960s and 70s French/British children’s TV program.
Wartime World War II wings.
Bike Historical (and beautiful) bicycle head badges.
Soviet era I bought these enamel badges, pinned to a postcard, from a vendor on a Moscow street.
Police An essential addition to the uniform.
Scouting achievements I was in the scouts, but I didn’t earn anything like this number of merit badges.
I.D. The modern tag is very different from these twentieth-century analog predecessors.
Playing games Children like to be the sheriff etc.
VisCom Our School of Visual Communication (at Ohio University) has a simple “V” badge that we like to wear. There’s also a more detailed enamel version that is given to graduating students.
Photograph by Kate Stone (while a VisCom student): http://www.katestonephoto.com
This small book (with a lot of pages) gives an overview of classic graphic design. The reproductions are small (obviously), so it’s best to look for a larger version to really appreciate any particular example. Here’s a sample of the 500 pieces that the book contains.
Woolmark logo,1964 Franco Grignani
The Gutenberg Bible, c.1453-1455 Johannes Gutenberg
Metropolitan World Atlas, 2005 Joost Grooten
The Man of Letters, or Pierrot’s Alphabet, 1794 Unknown
Vertigo poster, 1958 Saul Bass
Shell logo, 1971 Raymond Loewy
Physikalischer, 1845/48 Heinrich Berghaus. Detail below. A high-res version: goo.gl/sejFrP
Mexico Olympics identity 1968 Lance Wyman
London Underground logo, 1918 Edward Johnston. A post about the Underground Map is here:
Unknown Pleasures album cover, 1979 Peter Saville. A post about it is here:
The Elements of Euclid, 1847 Oliver Byrne
IBM logo, 1972 Paul Rand
Bauhaus Book, 1929 László Moholy-Nagy
Esso logo, 1933 Unknown
A NEW SEASON, A STRATOSPHERIC TRANSFER FEE.
The latest issue of my favorite football (soccer) magazine* came out a few weeks ago, just before the new season in Europe began. The cover story was right on the money. Neymar suddenly moved from Barcelona to Paris Saint-Germain for 222 million euros ($263 million ), which blew away the previous highest fee of 105 million euros ($116 million at the time). The deal will cost PSG nearly 500 million euros ($600 million) over a five-year period, with an annual salary of 45 million euros ($53 million) a year (including endorsements etc).
Below, some spreads from the issue. Subscribe here: https://shop.8by8mag.com/collections/subscribe
My main infographic didn’t materialize because of problems with obtaining the data, but I did get to make a million pound note.
The Bank of England doesn’t have one at the moment. Mine is an adaptation of the new plastic fiver.
* Note: I’m the infographics director.
ALPHABETS FROM IMAGES.
Smoke An ephemeral typeface by David Zinyama.
Eggs Font Fried egg characters from Handmadefont in Estonia. https://handmadefont.com
Alarmlight Another alphabet from Handmadefont.
Zee Kerozen spelled out the name of the studio using elements from the faces of people who work there. http://agence-kerozen.com
Alphabeard Michael Allen shaved his beard, letting it grow back before each new character, so it took two years to make.
Hair Typography By Monique Goossens.
Peak Ariane Spanier used magnets on acrylic paint that had been mixed with iron filings. http://arianespanier.com/category/all/
EYES AND INFOGRAPHICS.
Teaching aid A 1965 model from Michael Stoll’s collection. Made by Somso Models of Sonneberg, Germany. http://www.somso.de/en/somso/
Eye test The Snellen chart (which originated in 1862) is the most common.
Poster Of course, there are plenty of detailed eye diagrams around. If you want one for the wall: goo.gl/6SjuZz
Phoropter Great-looking instrument for precise optical measurements. I don’t care what it does, I just like the dials.
Photograph by Christian Weibull.
Color vision The Ishihara test can detect red-green vision deficiencies. This is one of the 38 test plates.
Vintage Illustrations from historical medical books.
Above, from Die Frau als Hausärztin, 1911. Below, from Meyers Konversations-Lexicon, 1897. (Hein Nouwens/shutterstock.com)
Eye color There are endless variations. Brown is the most common color, according to the American Academy of Ophthalmology.
Photograph © Taiga/123rf
A chart of doll eyes.
Signage This kind of design was very common years ago.
Giant eye Tony Tasset created a 30-foot (9-meter) diameter fiberglass eyeball (modeled on his own eye) in 2007. It’s a well-traveled item. First on display in Chicago’s Pritzer Park, then on the roadside in Sparta, Wisconsin (where it was originally constructed), and now in the Joule Hotel’s sculpture garden in Dallas.
Photograph by Carol M.Highsmith.
HISTORICAL EXAMPLES FROM ERIC BAKER’S COLUMN.
Once a week for several years (ending in 2010), Eric Baker had an inspiring column called “Today” that appeared on the DesignObserver site. It was a set of carefully selected historical design images. Sometimes on a theme, sometimes not. Anyway, I really looked forward to seeing the latest treasure trove of imagery. So in the spirit of looking back for inspiration to our illustrious past, here’s a selection of 50 examples from those posts. Many of these are infographically-inclined, but that (of course) is because of the person selecting them.